For a synopsis and content-related aspects, it is best to take a look at the sub-section of the website called »Beachlandia«.

The style of the novel, which depicts the 78 hours that Lou Zipsky and his friends experience after his return to Beachlandia, could best be described as “complex”, “maximalist” and “transgressive”. There are countless storylines, the novel oscillates between a wide variety of literary genres and draws on registers of both high and popular literature and media.

Phrases from T.S. Eliot's 434-line poem »The Waste Land« are also placed quite prominently in the text. The novel—as absurd as this may seem at first glance—sees itself in its entirety as a translation of the same poem, although it negates the reader's expectation of a traditional translation. Whatever echoes of »The Waste Land« can be found amidst the fragments of »Beachlandia«, the reader may or may not be benevolent enough to take these echoes as an auto-commentary on an experimental translation.

However, »Beachlandia« is also a very long novel that is by no means finished with the publication of the first volume. Although the first part consists of over 700 pages, further volumes will continue narrating the events surrounding Lou Zipsky and his re-entry into the red walls until »Beachlandia« and his story are finished.

By the way: »Beachlandia« will be embellished by many, many illustrations, which will make the reading experience a very colourful endeaver, quite literally speaking.

The reading sample should be your first port of call and also a good indicator of whether or not you're gonna enjoy the rest of the novel, if you're not sure by reading the synopsis. You will find excerpts from »Beachlandia« as soon as early 2025 on the sub-section of the website. Untersektion der Website finden.

Only to a limited extent. Tom Ghostly doesn't want to go so far as to claim that Beachlandia is something incomparable and unique, but to be honest, making comparisons to »Beachlandia« is hard ...

At the same time, however, he believes that Beachlandia should also appeal to all those who are interested in high literature, such as the novels of

  • David Foster Wallace
  • Robert Musil
  • Thomas Pynchon
  • William Gaddis
  • Franz Kafka
  • William Gass
  • Donna Tartt

In addition, the narrative structure of »Beachlandia« is not entirely alien to the tradition of popular fantasy novels, even though it isn't classic fantasy or epic fantasy per se.

For direct influences and inspiration of all kinds, see a graphic that I have created and will be putting online shortly.

Certainly not.

»Beachlandia I« was a very head-scratching endeavor for long periods of time, at least for the first 10+ years, mainly due to the fact that Tom Ghostly was desperately trying to break new ground poetically. A blueprint that he could have applied simply didn't exist and still doesn't more than ten years later, so the writing process involved a lot of trial and error.

Since mid to late 2022, however, things have been running much more smoothly because he has been able to test various concepts in detail. Although he still doesn't write as quickly as authors of the popular spectrum, he now works quite effectively and in a structured way, even though he still is fueled by somewhat of a chaotic spirit at times.

For progress on the latest »Beachlandia«-volumes and up-to-date assessments of release dates, it's best to keep an eye on my blog or the sub-section entitled »Beachlandia«of this website.

Tom Ghostly likes to keep this under wraps, not least because he doesn't know it himself. Only seldomly is he forthcoming enough to suggest that nothing less than three volumes will do. It could be three, five, seven, twenty, a hundred ... because his mind likes to wander and he is always thinking up something new, but whatever he thinks up, he has to write it in the end, and that is sometimes less fun than disembodied thinking.

Most of the 70 or so illustrations will be hand-drawn digital graphics. For a few pictures I may create a design using generative AI, in a few cases it will be a mix of both. All in all, however, the focus will clearly be on self-created paintings.


As soon as further illustrations are available, samples will be presented in a gallery on this website. 

Tom Ghostly is currently most active on Goodreads. However, he interacts relatively little there and primarily uses the platform to discover new literature and manage digital book shelves.

Unfortunately, social media is quite a time sink. Tom Ghostly is also on Instagram, but doesn't post much there at the moment. You can also find him on X and Threads, but up until now he remained mostly passive there.

If he were to spend too much time on social media, he would neglect his work on »Beachlandia«—which is his top priority and his life's work or what remains of a mere ghost.

Tom Ghostly has written a longer blog post on this subject in which he goes into some points in detail. You can find the first post here. More posts of this kind will follow.

No. Tom Ghostly shares his life with Thomas Peak, who, like many others, works for a living. He writes at weekends, after work and on his endless commutes he has to make to do in order to get to work or home from work.

»Beachlandia« will keep Tom Ghostly busy for years to come due to its multi-part layout, oh yes, really, really busy. He is currently brainstorming concepts that are more or less loosely connected to the »Beachlandia«-cycle. Whether and when these projects will be realized is not yet foreseeable.

Thomas thinks Tom Ghostly is the greater of the two. He prefers to define himself solely through his writing. Because the text speaks for itself. And about him.

At the moment, publication is still quite a few months away. As soon as there is something concrete, Tom Ghostly will announce it on the website. The safest way will then be to request one via the contact form, but it will be a while before then. Kontaktformular ein solches zu beantragen, aber bis dahin wird es noch etwas dauern.